panersia logo

Please log in to watch this video.

Login / Sign up

Proper handpan placement for practice

Lesson description and learning notes

 

Proper handpan placement is crucial for effective and precise playing, especially in the structured exercises of this advanced course. Due to the unique design and symmetrical layout of the handpan, we typically use two main positions when practicing

 

Position 1: Center Ding Facing the Player

In this setup, the lowest note (bass note) is positioned directly in front of the player, with the upper notes placed naturally around the central ding. This layout allows the player to access all notes comfortably, as both hands can move symmetrically across the instrument. By keeping the ding centered, the player can perform various techniques simultaneously and evenly with both hands, facilitating accurate execution and ergonomic playing

 

Position 2: Divided Notes (Right and Left)

For many exercises and pieces in this course, the handpan is positioned so that three notes are on the right side and three on the left. This configuration enables each hand to focus on its respective side, promoting versatility in playing and greater control over melodic and rhythmic patterns. Right-hand movements typically target the notes on the right, while the left hand focuses on the left, enhancing coordination and balance during performance

 

Nine-Note Handpan Layout

Most nine-note handpans follow a standard layout: a central ding, four notes on the right, and four notes on the left. This design allows the player to utilize all notes evenly and perform advanced techniques on both sides of the instrument. Throughout the course, we adopt this standard configuration to maximize efficiency, comfort, and technical accuracy in practice

 

Logo Placement

The handpan’s logo is usually positioned between these note divisions, especially on instruments following the standard layout. Beyond aesthetic appeal, the logo helps players quickly identify the orientation of the handpan, allowing them to navigate the notes with ease during practice and performance

 

Summary

Optimized handpan placement is key to developing proper technique, accuracy, and symmetry in playing. By understanding and applying these layouts, musicians can fully utilize the handpan’s capabilities, maintain ergonomic posture, and enhance their ability to perform advanced rhythmic and melodic exercises effectively

Comments

💬
No comments yet
Be the first to share your thoughts.
Common Sessions
Course Introduction 1. Course Introduction Erfan Ghavighalb, Amirali Rahmani, Iman Shabkhiz, Arash Taremi, keynaz kia · 00:03:53 Free Completed Scale Introduction for Training and Playing Pieces 2. Scale Introduction for Training and Playing Pieces Erfan Ghavighalb · 00:03:03 Free Completed Proper handpan placement for practice 3. Proper handpan placement for practice Erfan Ghavighalb · 00:01:05 Now playing Plan required Completed Handpan Symbols 4. Handpan Symbols Erfan Ghavighalb · 00:06:51 Plan required Completed Learning Dynamics on the Handpan 5. Learning Dynamics on the Handpan Erfan Ghavighalb · 00:01:28 Plan required Completed
Level 7 Sessions
Learning and Performance of Lessons 28 & 29 and Piece No. 7 (Samba Piece on Handpan) 6. Learning and Performance of Lessons 28 & 29 and Piece No. 7 (Samba Piece on Handpan) Iman Shabkhiz · 00:06:15 Plan required Completed Learning and Performance of Lessons 30 to 37 (Heel and Tip Technique) 7. Learning and Performance of Lessons 30 to 37 (Heel and Tip Technique) Erfan Ghavighalb · 00:04:43 Plan required Completed Learning and Performance of Lesson 38 and Piece No. 8 (Handpan Advanced Rhythms) 8. Learning and Performance of Lesson 38 and Piece No. 8 (Handpan Advanced Rhythms) Erfan Ghavighalb · 00:06:20 Plan required Completed Learning and Performance of Lesson 39 and Piece No 9 9. Learning and Performance of Lesson 39 and Piece No 9 Erfan Ghavighalb · 00:05:26 Plan required Completed Learning and Performance of Lessons 40 to 46 10. Learning and Performance of Lessons 40 to 46 Erfan Ghavighalb · 00:05:35 Plan required Completed Lesson and Performance of Piece No. 10 11. Lesson and Performance of Piece No. 10 Erfan Ghavighalb · 00:03:44 Plan required Completed Learning and Performance of Lesson 47 12. Learning and Performance of Lesson 47 Keynaz Kia · 00:03:54 Plan required Completed Learning and Performance of Lessons 48–53 13. Learning and Performance of Lessons 48–53 Erfan Ghavighalb · 00:04:13 Plan required Completed Learning and Performance of Lesson 54 & Piece 11 14. Learning and Performance of Lesson 54 & Piece 11 Erfan Ghavighalb · 00:04:58 Plan required Completed Learning and Performance of Lessons 55–58 – Basnawa Rhythm on Handpan 15. Learning and Performance of Lessons 55–58 – Basnawa Rhythm on Handpan Erfan Ghavighalb · 00:01:42 Plan required Completed