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Proper handpan placement for practice

Lesson description and learning notes

 

Proper handpan placement is crucial for effective and precise playing, especially in the structured exercises of this advanced course. Due to the unique design and symmetrical layout of the handpan, we typically use two main positions when practicing

 

Position 1: Center Ding Facing the Player

In this setup, the lowest note (bass note) is positioned directly in front of the player, with the upper notes placed naturally around the central ding. This layout allows the player to access all notes comfortably, as both hands can move symmetrically across the instrument. By keeping the ding centered, the player can perform various techniques simultaneously and evenly with both hands, facilitating accurate execution and ergonomic playing

 

Position 2: Divided Notes (Right and Left)

For many exercises and pieces in this course, the handpan is positioned so that three notes are on the right side and three on the left. This configuration enables each hand to focus on its respective side, promoting versatility in playing and greater control over melodic and rhythmic patterns. Right-hand movements typically target the notes on the right, while the left hand focuses on the left, enhancing coordination and balance during performance

 

Nine-Note Handpan Layout

Most nine-note handpans follow a standard layout: a central ding, four notes on the right, and four notes on the left. This design allows the player to utilize all notes evenly and perform advanced techniques on both sides of the instrument. Throughout the course, we adopt this standard configuration to maximize efficiency, comfort, and technical accuracy in practice

 

Logo Placement

The handpan’s logo is usually positioned between these note divisions, especially on instruments following the standard layout. Beyond aesthetic appeal, the logo helps players quickly identify the orientation of the handpan, allowing them to navigate the notes with ease during practice and performance

 

Summary

Optimized handpan placement is key to developing proper technique, accuracy, and symmetry in playing. By understanding and applying these layouts, musicians can fully utilize the handpan’s capabilities, maintain ergonomic posture, and enhance their ability to perform advanced rhythmic and melodic exercises effectively

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Common Sessions
Course Introduction 1. Course Introduction Erfan Ghavighalb, Amirali Rahmani, Iman Shabkhiz, Arash Taremi, keynaz kia · 00:03:53 Free Completed Scale Introduction for Training and Playing Pieces 2. Scale Introduction for Training and Playing Pieces Erfan Ghavighalb · 00:03:03 Free Completed Proper handpan placement for practice 3. Proper handpan placement for practice Erfan Ghavighalb · 00:01:05 Now playing Plan required Completed Handpan Symbols 4. Handpan Symbols Erfan Ghavighalb · 00:06:51 Plan required Completed Learning Dynamics on the Handpan 5. Learning Dynamics on the Handpan Erfan Ghavighalb · 00:01:28 Plan required Completed
Level 6 Sessions
Learning and Performance of Lessons 1 & 2 & Piece 1 6. Learning and Performance of Lessons 1 & 2 & Piece 1 Erfan Ghavighalb · 00:03:26 Plan required Completed Learning & Performance of Piece No 2 7. Learning & Performance of Piece No 2 Amirali Rahmani · 00:03:26 Free Completed Learning & Performance of Lesson 3–9: Advanced Handpan Techniques 8. Learning & Performance of Lesson 3–9: Advanced Handpan Techniques Erfan Ghavighalb · 00:03:02 Plan required Completed Learning & Performance of lesson 10 9. Learning & Performance of lesson 10 Keynaz Kia · 00:02:16 Plan required Completed Learning and Performance of Lessons 11 to 14 & Piece 3 10. Learning and Performance of Lessons 11 to 14 & Piece 3 Amirali Rahmani · 00:06:12 Plan required Completed Learning and Performance of Lesson 15 & 16 11. Learning and Performance of Lesson 15 & 16 Erfan Ghavighalb · 00:02:06 Plan required Completed Lesson and Performance of Piece 4 12. Lesson and Performance of Piece 4 Erfan Ghavighalb · 00:05:44 Plan required Completed Lesson and Performance of Lessons 17 to 23 (Handpan Passages Performance) 13. Lesson and Performance of Lessons 17 to 23 (Handpan Passages Performance) Erfan Ghavighalb, Iman Shabkhiz · 00:03:41 Plan required Completed Lesson and Performance of Piece No. 5 14. Lesson and Performance of Piece No. 5 Arash Taremi · 00:02:41 Plan required Completed Lesson and Performance of Exercises 24, 25, and 26: Drag Ornamentation Practice 15. Lesson and Performance of Exercises 24, 25, and 26: Drag Ornamentation Practice iman Shabkhiz · 00:02:53 Plan required Completed Lesson and Performance of Exercise 27 & Piece No. 6 16. Lesson and Performance of Exercise 27 & Piece No. 6 Erfan Ghavighalb, Amirali Rahmani · 00:03:48 Plan required Completed