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Buy Playpan Handpan Level 6

Release Year: 2024
Number of Sessions: 16
Total Duration: 00:56:29
Instructors: Erfan Ghavighalb, Amirali Rahmani, Iman Shabkhiz, Arash Taremi, Keynaz Kia
Features: Academic handpan learning and training
Advanced techniques and performance (including staccato playing, ornamentation such as drag, musical phrasing, and advanced handpan pieces)
Learning musical form, transitions, and dynamic expression
Over 25 educational lessons and performance pieces with backing music
Buy Course
$65 USD

Lesson and Performance of Exercises 24, 25, and 26: Drag Ornamentation Practice

 

Drag ornamentation is one of the most expressive and versatile techniques in handpan playing, allowing musicians to add unique phrasing and emphasis to notes and melodies. This ornamentation is especially valuable in percussive instruments for creating dynamic variation, rhythmic movement, and musical nuance. In these exercises, you will learn how to perform drag ornaments across multiple notes, utilize both hands effectively, and apply this technique within themes and melodies

 

Understanding Drag Ornamentation

A drag is performed as a smooth, drawn movement from one note to the next, typically using the fingers or the palm. The key is to apply lighter pressure than standard strikes, allowing the first note to flow seamlessly into the next. This produces a soft, decorative sound that enhances phrasing and creates a more fluid musical line

 

Executing Drag Across Multiple Notes

In these exercises, you will practice connecting several notes using the drag technique. Begin by linking the first note to the next with a subtle, controlled drag, then continue this movement smoothly across the remaining notes. This approach is particularly effective for gentle rhythms or more intricate melodic passages. By incorporating drags, your melodies gain continuity, expressiveness, and a richer tonal character.

 

Application in Themes and Melodies

Drag ornamentation can be applied in various ways within handpan themes and melodies. When playing a motif, you can use drags to create smooth transitions between notes, adding a natural, flowing expression. In melodies, drags act as decorative articulations, emphasizing specific notes and highlighting musical phrases for greater emotional impact

 

Using Both Hands

A critical aspect of drag execution is practicing with both hands. Performing drags with the left and right hands may produce subtle differences in tone and timbre. Regular practice with both hands improves control, precision, and consistency, allowing the player to maintain expressive balance and fluidity throughout the piece

 

Key Tips for Successful Drag Execution

  • Control speed and pressure: Drags should be smooth and gentle, with minimal force, producing a delicate, sustained sound.

  • Precision in timing: Align the drag with the underlying rhythm of the piece to ensure musical cohesion.

  • Master both hands: Developing drag technique in both hands ensures balanced, versatile playing.

  • Combine with other techniques: Drags can be integrated with slaps, staccato, or rapid strikes to add complexity and variation to more advanced pieces.

 

Conclusion

Mastering drag ornamentation enhances both technical proficiency and musical expressiveness on the handpan. This technique allows performers to convey emotion, add sonic color, and create fluid, dynamic passages in their music. Practicing drags not only elevates handpan performance but also benefits players of other percussive instruments seeking to enrich their phrasing and rhythmic texture

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Common Sessions

1 . Course Introduction

Erfan Ghavighalb, Amirali Rahmani, Iman Shabkhiz, Arash Taremi, keynaz kia | 00:03:53
Free

3 . Proper handpan placement for practice

Erfan Ghavighalb | 00:01:05
Members only

4 . Handpan Symbols

Erfan Ghavighalb | 00:06:51
Not free

5 . Learning Dynamics on the Handpan

Erfan Ghavighalb | 00:01:28
Not free
Level 6 Sessions

2 . Learning & Performance of Piece No 2

Amirali Rahmani | 00:03:26
Free

4 . Learning & Performance of lesson 10

Keynaz Kia | 00:02:16
Not free

6 . Learning and Performance of Lesson 15 & 16

Erfan Ghavighalb | 00:02:06
Not free

7 . Lesson and Performance of Piece 4

Erfan Ghavighalb | 00:05:44
Not free

8 . Lesson and Performance of Lessons 17 to 23 (Handpan Passages Performance)

Erfan Ghavighalb, Iman Shabkhiz | 00:03:41
Members only

9 . Lesson and Performance of Piece No. 5

Arash Taremi | 00:02:41
Not free

11 . Lesson and Performance of Exercise 27 & Piece No. 6

Erfan Ghavighalb, Amirali Rahmani | 00:03:48
Not free

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